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2011年度全国アリーナツアー「namie amuro LIVE STYLE 2011」東京公演の模様を収録。 息つく間もないほど圧巻なパフォーマンスは、アジアNO.1そして世界基準なDIVAとして君臨している余裕さえ感じさ. Namie Amuro is Japanese pop's most resilient idol. Debuting in 1992 with the all-girl five-piece Super Monkey's, where she first caught the attention of Tetsuya Komuro, the producer/songwriter who would go on to shape her early career, Amuro has bounced back from hurdles that have felled lesser J-pop idols (namely raising a family and divorce) to remain on top.
2011
Label: Avex Trax - AVXD-91620 • Format: Blu-ray • Country: Japan • Genre: Electronic, Hip Hop, Pop • Style: J-pop, Trip Hop, Synth-pop
The discography of Namie Amuro contains 12 studio albums7 compilation albums47 singles14 video albums, 10 live albums and music videos. In she released her first single as a solo artist, 'Taiyou no Season', under the same label. That same year, she released her first studio album Dance Tracks Vol. In Amuro released her first album under Avex Trax titled Sweet 19 Blueswhich reached 1 on the Oricon Album Chart with 1, copies sold in its opening week, selling over Endangered Species - Sepultura - Roots million units in Japan during its original chart run.
Namie Amuro Live Style 2011 Zip Free
Her single ' Can You Celebrate? Her first greatest hits album was released prior to her hiatus in After a Namie Amuro - Live Style 2011 (Blu-ray) of absence, Namie Mary - Mike Noga - King to the music scene with the album ' Genius ', but from then on she faced decreasing sales.
This is evident with her album Style. In she released her sixth studio album, Queen of Hip-Popwent on the 2nd place the Oricon weekly charta, and almost doubled the sale of her previous albums.
It also topped the charts in Taiwanthis album is often regarded as her comeback in the music industry. Her seventh studio albumPlay debuted at the top of the charts outselling her previous album. It and was followed by 60s 70s 80swhich reached number one on the Oricon weekly and the monthly chart.
It spent six consecutive weeks at the number-one position Namie Amuro - Live Style 2011 (Blu-ray) the Oricon weekly charts, [3] Selling over 1, copies and was elected as 'the best album of the year' at the 50th Japan Record Comin Home - The What.For!
- The What.For!. From Wikipedia, the free encyclopedia. The sales amount and ranking indicated for the first week of the single are combined from two weeks of sales as Oricon does not rank single during the New Years week. Retrieved Sankei Shimbun.
September 11, Archived from the original on December 10, December 1, Oricon in Japanese. Retrieved May 21, Retrieved June 4, Gaon Music Chart in Korean. Korea Music Content Industry Association. Archived from the original on July 14, Retrieved July 18, Retrieved September 27, Retrieved December 23, June 26, Archived from the original on June 27, Retrieved October 17, November 30, Archived from the original on December 2, Retrieved December 2, Retrieved April 9, December Edition] PDF.
The Record Bulletin in Japanese. February 10, Archived from the original PDF on June 10, Retrieved June 10, August Edition] PDF. October 10, Archived from the original PDF on September 28, Retrieved April 27, March Edition] PDF.
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April 10, Archived from the original PDF on November 2, Retrieved January 22, Archived from the original PDF on January 16, Retrieved January 17, Recording Industry Association of Japan. March 10, January 10, Retrieved January 23, August 10, Retrieved December 14, Retrieved February 8, July 10, Retrieved July 12, October Edition] PDF. December 10, Archived from the original PDF on June 4, May 10, Retrieved January 29, Archived from the original PDF on January 17, September 10, Retrieved March 29, June 10, Retrieved March 18, Retrieved July 11, January 15, Retrieved January 15, Retrieved April 13, Billboard in Japanese.
June 18, Retrieved June 18, Namie Amuro - Live Style 2011 (Blu-ray) June 11, Retrieved June 11, Archived from the original on January 12, Retrieved October 9, June Edition] PDF. November Edition] PDF. February Edition] PDF. January Edition] PDF. May Edition] PDF. Archived from the original PDF on March 6, Archived from the original PDF on February 23, Namie Amuro - Live Style 2011 (Blu-ray) Archived from Namie Amuro - Live Style 2011 (Blu-ray) original PDF on January 29, February 28, Retrieved March 4, Archived from the original PDF on November 3, Archived from the original PDF on January 22, July Edition] PDF.
Retrieved January 18, September Edition] PDF. November 10, Archived from the original PDF on January 18, March 30,
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Namie Amuro is Japanese pop's most resilient idol. Debuting in 1992 with the all-girl five-piece Super Monkey's, where she first caught the attention of Tetsuya Komuro, the producer/songwriter who would go on to shape her early career, Amuro has bounced back from hurdles that have felled lesser J-pop idols (namely raising a family and divorce) to remain on top. And like any J-pop starlet worth a theme song to a hit anime movie, Amuro has built up a solid rapport with her fans through her sense of style as much as for her music, which is essentially R&B-influenced pop, harder edged and more risqué than that of her rival Ayumi Hamasaki.
Born in the city of Naha, in Japan's southern tropical islands of Okinawa, Namie Amuro (born Namie Maruyama on September 20, 1977) began performing from an early age, encouraged by her mother. Amuro's solo career did not take off until her second album, Sweet 19 Blues, released in July 1996 on Avex Trax. Few albums are as emblematic of an era. Preceded by the single 'Body Feels Exit' in October 1995, Sweet 19 Blues was written and produced by Tetsuya Komuro, a former member of the mid-'90s pop act Globe and who went on to dominate the Japanese pop landscape as a songwriter and producer.
Sweet 19 Blues, released with no less than four different sleeves, typified the songwriting and production values of Komuro -- namely, a highly polished dance-pop sound characterized by disco rhythms and funky basslines. As a result of its huge sales (over three million albums sold in Japan), it is also the Amuro album most associated with her legion of young fans, dubbed 'Amura' by the media and who, for the most part, followed their idol's lead in dyeing their hair brown, plucking their eyebrows, and proudly wearing the same fashion accessories. High heels, a miniskirt, and tattoos -- in addition to Amuro's provocative dance routines featured in her videos -- all added up to an altogether less wholesome image than that perpetuated by Amuro's contemporaries. Komuro was also behind the controls for Amuro's third album, Concentration 20, released in August 1997, including the gospel-influenced single 'Can You Celebrate?' The theme song to the Fuji TV drama Virgin Road, it went on to sell two million copies, becoming a karaoke staple and a popular choice as a wedding song with young Japanese couples.
An enforced hiatus came about in 1997 when Amuro, aged 20, became pregnant with boyfriend and future husband Sam (Masaharu Maruyama) of the pop group TRF. This far from signified the end of her career, and Amuro soon launched a successful comeback at the end of 1998 with a performance on the widely watched New Year's television show Kohaku Uta Gassen, broadcast on NHK. Avex brought the heavyweight R&B production talents of Dallas Austin in for Amuro's fourth album, Genius 2000, released in January 2000. Austin's previous credits included TLC, Boyz II Men, and Monica. Amuro played to 120,000 fans in total during her nationwide tour of Japan in March of the same year. While she was broadening her scope of collaborators (she would also record with the respected Japanese rap duo m-flo), Amuro earned her first songwriting credit, for the 2001 single 'Say the Word.' At the 2002 MTV Video Music Awards Japan, Amuro was awarded the 'Inspiration Award Japan' as recognition for her influence on Japanese pop.
Another hiatus of sorts was broken in December 2003 when Amuro released her first album of original material in three years, Style, an album with a marginally more gritty R&B edge that took her closer in sound to her musical idol, Janet Jackson. Significantly, for this album Amuro had ended her musical relationship with Komuro. The transformation from dance-pop to a more mature, transatlantic sound was completed with Amuro's next album, 2005's appropriately titled Queen of Hip-Pop, Amuro's best-selling release since 2000's Genius 2000. ~ David Hickey
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